1968 ON FILM: Night of the Living Dead

The dead come back to life and eat the living. Several people barricade themselves inside a rural house in an attempt to survive the night. Outside are hordes of relentless, shambling zombies who can only be killed by a blow to the head.

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Director: George A. Romero

Presented by: Johns Hopkins University Film & Media Studies Program and The Parkway Theatre

Starring: Duane Jones

 

1968, USA, 96 minutes, Digital

Language: English

Program Notes

About the 1968 ON FILM series:
1968, a year of global protest and revolution, galvanized audiences for movies that reflected their changing world. The film-makers of the era rose to that challenge, producing remarkable documents of the times that upended cinematic traditions with bold new forms and innovative content. This series presents some landmark films from 1968, in company with a few that paved the way and others that look back with admiration, nostalgia, and regret for what we gained and what we lost in that transformative year.

Presented by the Johns Hopkins Film & Media Studies Program and The Parkway Theater.


Shot outside Pittsburgh on a shoestring budget, by a band of filmmakers determined to make their mark, Night of the Living Dead, directed by horror master George A. Romero, is a great story of independent cinema: a midnight hit turned box-office smash that became one of the most influential films of all time. A deceptively simple tale of a group of strangers trapped in a farmhouse who find themselves fending off a horde of recently dead, flesh-eating ghouls, Romero’s claustrophobic vision of a late-1960s America literally tearing itself apart rewrote the rules of the horror genre, combined gruesome gore with acute social commentary, and quietly broke ground by casting a black actor (Duane Jones) in its lead role. Stark, haunting, and more relevant than ever, Night of the Living Dead is back.

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Black Panthers
Agnès Varda // 1968 // France, USA // 31 MIN
SCREENING BEFORE THE FEATURE: Agnès Varda turns her camera on an Oakland demonstration against the imprisonment of activist and Black Panthers cofounder Huey P. Newton. In addition to evincing Varda’s fascination with her adopted surroundings and her empathy, this perceptive short is also a powerful political statement.

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