LATIN AMERICAN VISIONARY CINEMA: Ixcanul

LATIN AMERICAN VISIONARY CINEMA: Ixcanul

Director: Jayro Bustamante

2005, Guatemala, 91min

Language: Kaqchikel, Spanish w/English subtitles

 

Program Notes

The SNF Parkway is proud to present Latin American Visionary Cinema, a month-long exploration of exciting work drawn from important voices in Latin American film over the past decade. This series of twelve films spans many genres, represents 10 countries, and includes many titles that had little or no theatrical distribution in the United States. The Latin American Visionary Cinema series is presented by PNC Bank.

IXCANUL: A young Mayan woman finds herself at the crossroads between the ancient and the modern worlds in Ixcanul, a transporting, hypnotically beautiful debut feature from Guatemalan director Jayro Bustamante. María lives and works with her parents on a coffee plantation in the foothills of an active volcano in Guatemala. She’s been promised in marriage to the plantation overseer, but is not about to acquiesce to her parents’ design. María sees in Pepe, a young coffee cutter planning to migrate to the US, the possibility of a brighter future. A simple, fable-like movie made in close collaboration with a real Mayan farming community from the Guatemalan highlands, Bustamante’s film is downright Herzogian in its surfeit of physical detail, observed rituals and looming clash of civilizations. Ixcanul is one of the most lauded films to come out of Latin America in 2015. It won Best Film and Best Director in Guadalajara, Best Film in Cartagena, the coveted Silver Bear in Berlin, Best First Film and Audience Award at the Platino Iberoamerican Awards. Director Bustamante knocks it out of the park in his first time at bat, a fact made all the more remarkable, hailing from a country with a nascent film industry.

“A transporting, hypnotically beautiful debut feature.” — Scott Foundas, Variety

“A vividly observed debut feature…Bustamante dramatizes his characters and their indigenous way of life with a powerful, almost feverish sense of immersion.” — Justin Chang, Los Angeles Times